If ‘weed’ is a term of categorization applied subjectively to any unwanted plant in a man-made setting then the desirability of Yoshihiro Suda’s weeds makes them inherently oxymoronic [read more]
John Waters all over Comme des Garçons [read more]
Skywatching at James Turrell’s House of Light [read more]
Improbable instrumental inventions from Maywa Denki [read more]
Basic geometry with Issey Miyake [read more]
Besides writhing around in spew of rainbow this messy man also does drawings. Lovely ones. [read more]
Big news concerning the real live Boredoms [read more]
Yuko Kamei marrying bodies, spaces, movement and stills [read more]
Yukihiro Taguchi finds a dark to stick the light in [read more]
Fashion as theatre and Japan’s oldest department store [read more]
Seven installations by contemporary Japanese architects [read more]
Hiroshi Naito’s architecture of light [read more]
When Yu Ogata and Ichiro Ogata Ono are not busy building buildings they photograph buildings others have built [read more]
Nakaya Fujiko’s long-term relationship with artificial fog [read more]
Hiroshi Sugimoto seeing with ancient eyes [read more]
A new photography museum designed by Hiroshi Sugimoto at the foothills of Mt Fuji [read more]
“There are many copy bands, but I am the best,” says Aikawa Masaru [read more]
The Biennale of Sydney has just opened and the amazing Superdeluxe program at Artspace kicks off this week with OORUTAICHI, bringing his ‘progressive drifting folklore music’, own invented language and penchant for primary colours all the way from Osaka to Woolloomooloo [read more]
Improv forest post-rock from OOIOO who prefer to play their music to trees than people [read more]
Yoshikazu Yamagata on fashion as communication [read more]
Leiko Shiga’s brother in his boxer shorts learning to play piano, sans piano [read more]
With his unique brand of uncomfortable hilarity, Tatsumi Orimoto’s Oil Can will be performed in Sydney this May [read more]
The Setouchi International Arts Festival is taking over the Inland Sea this summer [read more]
Spoken Words Project unveiling the 2010 AW collection [read more]
Inching ever closer to cyborgism, Daito Manabe believes there is no difference between man and machine [read more]
Yuichiro Tamura tells found stories with screen grabs from Google Maps Street View [read more]
Kisho Kurokawa’s 1972 Nakagin Capsule Tower, the world’s first large-scale modular building, is still standing – but only thanks to Japan’s current financial malaise [read more]
Shiga Leiko’s images reconsider the medium of photography a distorter, rather than documenter, of reality [read more]
Carrying a simple message of eco-awareness, Teruya Yuken’s Notice Forest series locates and revives trees from within disposable paper bags [read more]
Mamoru Okuno shows us the sounds we hear all the time but never listen to [read more]