Chu Enoki’s public interventions in the ’70s and ’80s shook up the divides between public and private spaces, art and the every day, spectatorship and participation. In more recent years the artist has moved away from body and performance based works towards sculpture and instillation that utilise found objects and materials including weaponry, ammunition and industrial detritus; such as this sci-fi city skyline made from highly polished junk metal bits [read more]