1960s Issey Miyake shot by Shinoyama [read more]
Jaques Derrida on Kishin Shinoyama’s Light in the Dark [read more]
Rika Noguchi visualising the invisible [read more]
A new exhibition from Naoya Hatakeyama [read more]
Video work by OVAR at Big In Japan 2011 [read more]
An exhibition curated by Hiroshi Sugimoto for the 2011 Yokohama Triennale [read more]
Issey Miyake images by Irving Penn [read more]
More Akasegawa Thomassons [read more]
Genpei Akasegawa on art made by the city [read more]
Yellow giants, brown dwarfs, stellar black holes, supernovae, other stuff like that [read more]
Kazuna Taguchi’s pictures lost in layers of photo-painting [read more]
Hitoshi Nomura on forms that exist independently of intention [read more]
Hitoshi Nomura shooting sounds [read more]
Kohei Yoshiyuki pointing infrared rays on vespertine voyeurs in Tokyo’s public parks [read more]
Yuki Kimura interrogating the materiality and posteriority of photographs [read more]
“What is embodied in photography is not a clear ‘knowledge of the whole’, but, rather, a ‘longing for the knowledge of the whole’.” – Naoya Hatakeyama [read more]
More Hiroshi Sugimoto monochromes against Tadao Ando’s untreated concrete walls on Naoshima [read more]
A new series of elaborately orchestrated photographs by Lieko Shiga [read more]
Shitamichi Motoyuki on memory, place and images [read more]
Yuko Kamei marrying bodies, spaces, movement and stills [read more]
Yukihiro Taguchi finds a dark to stick the light in [read more]
When Yu Ogata and Ichiro Ogata Ono are not busy building buildings they photograph buildings others have built [read more]
Hiroshi Sugimoto seeing with ancient eyes [read more]
A new photography museum designed by Hiroshi Sugimoto at the foothills of Mt Fuji [read more]
Lieko Shiga’s brother in his boxer shorts learning to play piano, sans piano [read more]
With his unique brand of uncomfortable hilarity, Tatsumi Orimoto’s Oil Can will be performed in Sydney this May [read more]
Leiko Shiga treats photography as means to distort – rather than document – reality [read more]
Having explored the temporal through the medium of photography for over three decades, Hiroshi Sugimoto has concluded that time is an exclusively human construct, which no other animal has any sense of [read more]
As part of Hiroshi Sugimoto’s ongoing inquiry into the scientific and philosophical implications of the medium of photography, a Lightning Fields installation is planned for the Biennale of Sydney this May [read more]
The Japanese word for “photograph”, shashin, comes from sha (“to reproduce or reflect”) and shin (“truth”). The act of photography, then, consists of taking the truth and making a copy of it on a surface. [read more]
Continuing until the end of this week at the Centre For Cosmic Wonder Tokyo: original prints from the Cosmic Wonder Free Press Sunday Edition [read more]
Chatting with Fumiko Imano about the desire to self-duplicate, the nature of photography, the relationships between fashion and art, and how she came to be her own favourite subject [read more]































