New light and sound sculpture by Yukinori Maeda of Cosmic Wonder Light Source [read more]

An exhibition curated by Hiroshi Sugimoto for the 2011 Yokohama Triennale [read more]

Kato Tsubasa pulling us together [read more]

New works by bboy Taku Obata [read more]

Kohei Nawa’s ‘Synthesis’ [read more]

Balls of cassette by Lyota Yagi [read more]

Zon Ito at Taka Ishii Gallery [read more]

Botanical sculpture by rock-star-turned-haute-couture florist Azuma Makoto [read more]

Hitoshi Nomura on forms that exist independently of intention [read more]

Taiyo Kimura is the proud owner of a humour that is as black as a burnt slab of tar painted in shoe polish at midnight [read more]

Assigning pointless new tasks to generic domestic commodities [read more]

Yasuhiro Suzuki’s human-shaped helium-filled PVC balloons for Big In Japan! 2010 [read more]

Sounds of/in/as frozen water [read more]

A labyrinthine painting-sculpture incorporating floating fabric and bare light bulbs by Takefumi Ichikawa [read more]

SHIMURABROS. entwining themselves in the history of the motion picture [read more]

Mitsuru Katsumoto’s green appears incessantly out of cracks, inside things, between layers [read more]

Controversy over pop artist Takashi Murakami at le château de Versailles [read more]

Colours in the mind, colours in the world [read more]

If ‘weed’ is a term of categorization applied subjectively to any unwanted plant in a man-made setting then the desirability of Yoshihiro Suda’s weeds makes them inherently oxymoronic [read more]

Nakaya Fujiko’s long-term relationship with artificial fog [read more]

Modernism’s doctrine of functionalism put the ornamental in a corner and spat at it, but apparently the decorative is making a quiet comeback [read more]

The prolific director / actor / film editor / stand-up comedian / TV presenter / author / poet / painter / sculptor / videogame designer / general no good layabout Beat Takeshi Kitano has taken over the Fondation Cartier in Paris [read more]

Soap bubbles, inflatable alter egos and crystal baubles all feature amongst the handful of artists representing Japan in the 6th Asia Pacific Triennial of Contemporary Art, currently showing at GOMA in Brisbane [read more]

Akihiko Amano on the art of language and the language of art [read more]

A cave-like structure that appears both open and closed, rough and smooth, heavy and floating, the onishimaki + hyakudayuki space currently open MOT changes its form dramatically as you navigate through and around it [read more]

Currently celebrating its 5^th year, The 21st Century Museum of Contemporary Art remains an extraordinary feature of the quiet, remote and inclement town of Kanazawa [read more]

One of several art spaces that have in recent years started taking advantage of the relatively cheaper rent in Tokyo’s garment district, Gallery αM (pronounced ‘alpha em’) is enjoying their new permanent home in the quiet basement space of an old building near Bakurocho Station. [read more]

What if the Power Rangers reformed as a Japanese hiphop crew with degrees in sculpture? Taku Obata’s work suggests the result would be rather awesome [read more]

Bones, plastic and whiteness are some of Teppei Kaneuji’s favourite things. Liquid, towers and stains are a few others [read more]

Besides moss and ferns Takashi Kuribayashi’s other running motifs are seals and penguins, which he often uses in latex form for his instillations where audiences are invited to peer through walls or ceilings into fragments of alternative aquatic worlds [read more]

Chu Enoki’s public interventions in the ’70s and ’80s shook up the divides between public and private spaces, art and the every day, spectatorship and participation. In more recent years the artist has moved away from body and performance based works towards sculpture and instillation that utilise found objects and materials including weaponry, ammunition and industrial detritus; such as this sci-fi city skyline made from highly polished junk metal bits [read more]

My how the world would be dull without magnetic fields. No microphones, no rockets, no doorbells, no compasses, no cassettes, no credit cards, no magnet space wheels, no passive aggressive fridge notes between housemates, and no liquid magnetic art from Sachiko Kodama [read more]